SALAM NUSANTARA

MENGGILA MAYA

ARTHA BHAKTI SAKTI MEMBUKA KELAS BREVET PAJAK AB , PELATIHAN SETIAP HARI SABTU.PARA PESERTA MENDAPATKAN BUKU BUKU PELATIHAN PAJAK , SERTIFIKAT DAN JUGA MAKAN SIANG DI WAKTU PELATIHAN.TEMPAT JALAN S.PARMAN 112 SLIPI-JAKARTA BARAT.UNTUK INFO LEBIH LANJUT HUBUNGI : DEWI 021-94077884 /  021-99600913 /  08170950001 .

Tanggal 3 Juli 2008 jam 20.00am,Phantom of the opera memulai pertunjukkan.Sekian lama persiapan pertunjukkan Phantom of the traditional opera,akhirnya dapat juga kami pertunjukkan kepada masyarakat dengan segala macam rasa,pasang surutnya semangat,fisik kawan kawan yang bergantian lemah karena totalitas yang memang di butuhkan dan masih banyak lagi.Kesederhanaan komposisi masih tetap kita pertahankan di dalam Phantom of the traditional opera ini,tanpa bermaksud untuk mengurangi komposisi,isi maupun estetika dari Phantom of the opera karya Webber dan Joel Schumacer yang sangat fenomenal dan terkenal.Malam itu seluruhnya kita curahkan di atas pentas.Saya merasakan sekali aura yang di keluarkan kawan kawan sangat kuat walaupun aroma ke hati hatian dalam bermain masih sangat terasa saya maklum karena kawan kawan masih banyak belajar untuk menahan emosi dan pembelajaran mental di atas pentas.Tapi di luar itu semua pertunjukkan itu sangat baik dan bagus.

di atas panggung 5 orang duduk bersila dengan sedikit opening art.Sitar india,kendi yang di pukul pukul dengan irama tabla india,suling.vokal dan didgeridoe dari australia membuka pertunjukkan.Dahen dengan didgeridoenya membuka bunyi dengan permainannya yang sangat fantastis,lalu di susul sitar,suling,vokal dan kendi.Dalam durasi waktu kira kira 5 menit,satu persatu player bergerak menuju ke balik layar hitam.Dahen dengan didgeridoenya dan sinyo dengan kendinya masih berada di depan layar,sementara Layar hitam di belakang mereka sedikit demi sedikit terbuka,di mulailah Phantom of the opera.Masquered sebagai lagu pembuka menghentak hentak Graha Bakti Budaya dengan kolaborasi bunyi alat alat tradisional dari bebagai daerah di dunia.Di tengah komposisi Masquered di mainkan komposisi ala balian yang cukup kental.Bersambung ke lagu ke dua Music of the night yang mengalun softly..lalu Down once more..Learn to be lonly..Angel of music..The point of no return..Think of me..Primadona..All I ask of you..Phantom of the opera..dan di tutup dengan Wishing you.Dengan durasi waktu sekitar 2 jam semua lagu lagu itu di bawakan dengan kolaborasi komposisi musik tradisi.Saya sangat terkejut setelah pementasan berakhir,ternyata respon penonton sangat baik dan antusias.Ini baru awal dari Phantom of the traditional opera,karena kami(Mahagenta) merencanakan akan melanjutkan apa yang sudah ada dan kami kerjakan dan masih banyak lagi opera opera yang akan kami mainkan.Semoga ini semua dapat memberikan sesuatu untuk semua.

Menggila Maya..

THE TIELMAN BROTHERS
(Breda, The Netherlands)

                              The Timor Rhythm Brothers in Surabaya 1947
                            l/r: Ponthon, Reggy, Loulou, Jane, Andy Tielman

(Father) Herman Tielman †
(Mother) Flora Lorine Hess † (German ancestors)

Reggy - born the 20^th May 1933 in Surabaya, Indonesia
Ponthon – born the 4^th August 1934; deceased the 29^th April 2000 in Jemper,   Indonesia
Andy - born the 30^th May 1936 in Makassar, Celebes, Indonesia
Loulou
Jane (Janette Loraine )- born the 17^th August 940; deceased the 25^th June 1993

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THE TIMOR RHYTM BROTHERS( Indonesia 1945-1957)

Andy Tielman (guitar, vocals)
Reggy Tielman (banjo,guitar,vocals)
Ponthon Tielman
Loulou( Herman Lawrence) Tielman
Jane (Janette Loraine) Tielman
(Father) Herman Tielman
(Mother) Flora Lorine Hess

The story of THE TIELMAN BROTHERS begin in Surabaya, where the 4 little brothers Tielman and little sister Jane started performing together in 1945 folk songs and traditional dances. Father Herman a captain and later quartermaster in the KNIL (Royal Dutch Indonesian Army) and he had stayed in a Japanese concentration camp. He owned a house in Surabaya and started to play music together with his friends. Herman Tielman was a gifted all round musician and he was the one that supplied Reggy, Ponthon, Andy, Loulou and Jane with their rich musical luggage. From the started Ponthon wanted to play the big double bass. Reggy wanted to play banjo and little Loulou was fond of the drums. Andy learned to play lead guitar. During their first performance during a house party they surprised their fathers friends with difficult numbers like Tiger Rag and 12^th Street Rag.

Gigs followed at several private parties in Soerbaya. It went fast and within half a year they went on tour as THE TIMOR RHYTHN BROTHERS -Timor is the island, where the Tielman family inherited from – along the camps of the Dutch soldiers. There after they received offers from the NIWIM (National  Effort Welfare Indonesia) and together with famous Dutch artists like De Wama’s, the Ramblers and the Skymasters they toured along the major cities of Indonesia. Their shows consisted of music and dances from all over the Indonesian islands including corresponding costumes and ritual attributes like war spears and swords. During these shows father Herman Tielman joined in on guitar mother Flora took care for the general presentation.

The Timor Rhythm Brothers (early 50′s)
l/r: Ponthon, Andy, Loulou, Wim Noya, Herman Tielman, Reggy

On the 29^th December 1949 the official  independence proclamation of Indonesia took place. The Tielman family now performed for the Indonesians. They even performed in the palace of president Soekarno in Djakarta. When they grew older they started to cover the top hits in perfect close harmony. In 1951 they were introduced to Guitar Boogie of Arthur Smith. Andy later told in an interview: ‘this was the first song which my brothers and I converted into rock ‘n roll by adding drums to it’. Later they started playing number of Les Paul, Elvis Presley, Little Richard, Bill Haley, Fats Domino, Chuck Berry and Gene Vincent. Andy also played together with Dolf de Vries in the band THE STARLIGHTS in Djakarta. Also on Sumatra he played without his brothers in the Hawaiian band of Freddy Wehner.

THE TIMOR RHYTHM BROTHERS –THE FOUR TIELMAN BROTHER-THE 4 T’s (Breda 1957-1959)

Andy Tielman (lead guitar, vocals)
Reggy Tielman (2^nd lead guitar, vocals)
Ponthon Tielman † (double bass, vocals)
Loulou Tielman

At a certain moment they were offered an extensive tour throughout Indonesia, but only on condition that they should change their Dutch nationality into Indonesian. In the opinion of Herman Tielman his children would have a better future in the Netherlands and in 1957 the family repatriated to Holland by boat. Ponthon was already repatriated  one year earlier and lived with his wife in Bussum.

After arrival in Holland they were settled in Breda in boarding house Smulders at the Baronielaan. They possessed only of a small suitcase with thin tropical cloths and they were confrontated with the cold Dutch winter. Luckily the DMZ (Military Affairs Service) supplied them with warm clothings. Edu Schalk – later singer with the Poetiray Brothers from Oosterhout- was their first Indonesian friend in Breda. The brothers went to the music shop Spronk in Breda and after they had convinced the owner of their great talents with their version of Bye Bye Love by The Everly Brothers, they were allowed to buy the most expensive guitars from the shop at instalment purchase. That became the legendary big white Miller guitars and a sunburst Wilson guitar. These were products of the Egmond company from  Eindhoven (type ES 57). Later they also bought Egmond combo amplifiers to replace the old radio’s they were using. Their first appearances took place in Hotel De Schuur at the Catharinalaan in Breda. In the beginning they performed as the TIMOR RHYTM BROTHERS but soon they called themselves THE FOUR TIELMAN BROTHERS or THE 4 T’s. They soon went famous in Breda and started gigging other places in the province Brabant like Kamp Lunetten in Vught and dancing De Cosmopoliet in ‘s Hertogenbosch.

The big aluminium balls of the Atomium in Brussels, Belgium still remember us of the world exebition Expo 58, which was held from the 17^th April until the 19^th October. At that time Hawaiian music was very popular in Europe and as a part of the Attraction Park a Hawaiian Village was created. With a decoration of palm trees, a blue sky and exotic plants and flowers Rudi Wairata (steel guitarist) and Mike Anoi (Guus ‘broer’ Arends) and their Hawaiian band played as main act. Several Dutch bands appeared and also THE FOUR TIELMAN BROTHERS were invited. They were allowed to fill a  break of 20 minutes. They gave a spectacular rock ‘n roll show as never in Europe performed before. Andy played guitar with his foot, the guitars were played reverse in the neck, his guitar was played with the drumsticks of Loulou, the double bass was handled in a sheer acrobatic way and guitars were tossed between the  brothers. The 20 minutes became almost 6 months.

The Belgian René ‘Nappie’ Vlasselaar became their manager and arranged a recording session for his label Fernap. Together with his brother Ferry he owned the jukebox company Fernap (Ferry and Nappy). Rock Little Baby Of Mine was an up tempo rock song written by Andy Tielman as well as the flip side the ballad You’re Still The One. The inspiration for both songs came from his idol Elvis Presley, but the specific Tielman style was already present despite the primitive recording techniques. During that period Andy got married in Brussels to Jeanine M. When after one night all their guitars and amplifiers were destroyed by a fire at the Expo his father in law Roger M. bought them enormously expensive Gibson guitars and amplifiers brought in straight away from the U.S.A. Hans Joachim Kulenkamp and Peter Frankenfeld, famous German TV showmasters, discovered the Tielman Brothers at the Expo and invited them at the end of 1958 to Germany for a guest appearance in their TV show and a musical show act in the movie Paprika

The very first performances of THE TIELMAN BROTHERS in Germany took place at at “Plankenkaffee Kosschenhaschen” in Mannheim from 3 up to 16 January 1959. One night their show was filmed by Hessischer Rundfunk (HR) and was live on German TV January 27, 1959. This footage was transmitted again in Germany in the SWF-Abendschau. The Tielman Brothers were also invited on the 29^th January 1959 at Hotel Deutsches Theater in München during a movies ball at the occasion of the premiere of the movie Paprika. There they met actress Romy Schneider and were rewarded with movie medal. In 1959 the played mainly as an act in between in circuses  and year fairs. Their Belgian manager had placed them that in that scene. With Circus ‘Fisher’ they travelled throughout Germany and they also did a guest appearance at the famous ‘Oktoberfest’ in München. Cor Aaftink at that time label manager (Imperial) of record company Bovema had the courage to offer the for Dutch standards very wild rock ‘n roll group a recording contract. Their debut single became one of the highlights in the Dutch pop history. The catchy rhythm in Record Hop and Swing It up, the unique vocal achievements of Andy and the instrumental backing with Ponthon still on double bass sounded very international.

THE TIELMAN BROTHERS (1960-1963) Imperial recordings + Ariola (3 singles + 1 EP)

Andy Tielman( lead guitar,vocals)
Reggy Tielman( 2^nd lead guitar, vocals)
Franky Luyten( rhythm guitar, vocals)
Ponthon Tielman
Loulou Tielman

In January 1960 the Netherlands and especially The Hague made their first aquaintance with THE TIELMAN BROTHERS. On the 3^rd January 1960 they played in the Koepelzaal of the Haagse Dierentuin(The Hague Zoo). A show of which the happy few who attended it  still talk about it with enormous respect. On the 23^rd January 1960 they appeared on television. A typical Dutch winter evening to gather around he the stove and on the only TV channel available there was a broadcast of the AVRO (a Dutch Broadcasting Company). In the Weekendshow (broadcoasted from ‘t Spant in Bussum) four slim brothers appeared, who called themselves The Tielman Brothers. They started their spectacular performance with Black Eyes and continued their appearance with Rollin’Rock and every possible show element was brought into the floodlight. For instance a log drum solo from Loulou in which he took a drumming stroll around his drum kit, Ponthon crawling on the floor but still playing his white double bass, Andy playing guitar with his teeth and foot and reverse in his neck standing on the double bass and Loulou pounding musically on the strings of Andy’s guitar. Of course some elements were copied from Spike Jones and Bill Haley.

Such a sensational and wild  rock ‘n roll show never ever occurred on Dutch television and in my personal opinion it was in no way surpassed any more. The rock ‘n roll of the Indonesian guys was so heart-warming in our cold and orthodox country, but the TV reviewers and music experts thought differently. A load of negative critics was printed in the news papers. These historic moments are luckily preserved and 45 seconds of it were used by Hans Heynen in his film documentary Rockin’Ramona. We see in this movie how the long and slender fingers of Andy run along his Gibson Les Paul guitar in Black Eyes. Rarity Records released later in 1991 this TV show in cooperation with Tojo even integrally and the sound track on CD. Also in January 1960 they recorded 4 songs in the Bovema Studio Heemstede. My Maria( through the years the most requested number), You’re Still The One( re-release of their first recording in 1958 sounded perfectly now), Black Eyes( their first instrumental which would become one of the highlights in the history of so called Indo Rock) and Rock Little Baby (also a re-release of their first record from 1958, but it sounded much better now).

After that they left for Germany. They started their well paid month contracts in the Ringstube in Mannheim. The family Fluhrman owned this dancing and the Ringstube was always called the Spudnik by the bands and visitors because of its decoration with rockets and futuristic space ships. The TIELMAN BROTHERS would return there often. Then they went to Studio 15 in Dusseldorf and the nice dancing Westhof in Heidelberg (also a legendary location because of the American GI’s who stayed there). Another famous dancing was the Jolly Bar in Hanau (this was also an American army camp). The returned once again to the Bovema to do some recordings for their first 10 inch LP and they asked for assistance of guitarist/singer Franky Luyten (no family despite the fact some people say that he was cousin or a married in family member). It concerned the following songs: O Sole Mio (a beautiful cover of the Elvis Presley hit- It’s Now Or Never), 18^th Century Rock (the first Dutch rock band, who rearranged a classical music piece featuring twin lead guitars- their version of W.A. Mozart’s Piano Sonata in C Major, K.545, main theme, got a load of negative criticisms. However the main theme was already addapted in 1939 by Raymond Scott and released as In An 18th Century Drawing Room and f.e. also covered by Guy Lombardo (1939), Glenn Miller (1944) and Hank Snow (1955), A.A.A. (an interesting instrumental based on Big Guitar by Owen Bradley), Pretend (perfect cover of the Carl Mann hit), April in Paris (a beautiful instrumental, but the actle title was I love Paris), Oh Rosalie (a hit for Conway Twitty), I Can’t Forget You (another typical and sensible vocal song by Andy Tielman in an unique way that only he could do) and Night Train (a sublime interpretation of this jazz standard written by Jimmy Forrest). 6 of these 8 recordings appeared earlier as singles. 18^th Century Rock/Pretend even in the U.S.A. on Capital Records.O Sole Mio came in 1964 also on their 12 inch LP with on the sleeve the clear statement: We don’t have Indonesia anymore ………….. but we still have The Tielman Brothers. The instrumental Night Train remained very rare because this number only figured on their 10 inch LP ‘Tielman On Stage’ released in 1961.

Franky Luyten went along to Germany and he would be part of  THE TIELMAN BROTHERS until the middle of 1964. In the spring of 1961 Andy Tielman bought his first (white) Fender Jazzmaster. Andy knew this guitar from the LP sleeves of The Ventures. This guitar appeared to be quite suitable for stage bouncing (much lighter then Gibson Les Pauls) and other guitar acrobatics and stage acts. This was quite important and in the end  they band bought a complete Fender equipment outfit at Radio Barth in Stuttgart. During that period THE TIELMAN BROTHERS had their own mansion in Heidelberg.

In 1963 Jane Tielman went more and more on tour with the band. The same year that obtained also a recording contract in Germany for the Ariola label On the A side of their 1^st single came Tahiti Jungle (an arrangement of Hawaiian War Chant of The Ventures) and on the B side the German song Fern Am Amazonas (Ariola had herewith the success of The Blue Diamonds in mind). The same recipe was followed for their 2^nd German single: Java Guitars ( Andy’s own interpretation Guitar Boogie, enormously popular and still copied today) with Weine Nicht Kleine Tamara (cover of the German singer Rudi Schurike from 1951) – in 1964 covered instrumentally in a very nice way by Jan de Hont and his ‘Maskers’ (a famous Dutch guitar group). Their 3^rd single in 1962 was completely instrumental with an arrangement of a German folksong: Little Hänschen Twist and a magisterial treatment of Twistin’The Carioca (Les Paul instrumental originating from the film musical ‘Flying Down To Rio’ with Fred Astaire and Ginger Rogers from 1933).

THE TIELMAN BROTHERS (1963-1964)

Andy Tielman( lead guitar,vocals)
Alphonse Faverey (lead guitar) ex Strangers; to The Four Beat Breakers >The Time Breakers
Reggy Tielman (2^nd lead guitar, 6 string bass, vocals)
Franky Luyten (rhythm guitar, vocals) to the The Four Beat Breakers>The Time Breakers
Ponthon Tielman †(bass guitar, 6 string bass, vocals) to Tielman Royal ; afterwards back to IndonesiaLoulou Tielman † (drums, vocals)
Jane Tielman † (vocals)

In 1963 Andy and Reggy Tielman were involved with a severe car accident and came under a freight truck. Reggy recovered after 2 weeks, but Andy was for 4 days in coma and his arm was broken at 8 spots. His arm was put in plaster and his recovery lasted many months. As replacement Alfons Faverey joined THE TIELMAN BROTHERS. His band THE STRANGERS had split and he would remain with the band after the return of Andy. The guitar playing  was less good and Andy concentrated even more on his vocals. Nevertheless Andy created a real innovation in the guitar world. He put 4 extra banjo strings on his Jazzmaster and with this 10 string guitar he could achieve very special effects and a  big sound. The rumour goes that an employee of Fender  came to the Sputnik to watch Andy’s unique guitar. Framus and Vox  made prototypes of a 9 string guitar, probable influenced by Andy and almost all Indo- Rock bands in Germany followed Andy’s conversion of their lead guitars, Fender Jazzmasters of course. Together with Alfons they did a tour in Israel. Unfortunately no records were made during they stay of Alfons in the band.  During 1964 Franky Luyten and Alfons Faverey were drafted for the Dutch military service. Because of  disagreements Ponthon left THE TIELMAN BROTHERS  played for some time with hs own band TIELMAN ROYAL and after that he went back to Indonesia where he stayed until his decease in April 2000.

THE TIELMAN BROTHERS( 1964-1969)

Andy Tielman( lead guitar,vocals)
Reggy Tielman( 2^nd lead guitar, 6 string bass, vocals)
Hans Bax( rhythm guitar, vocals)
Robby Latupeirisa( bass guitar, 6 string bass)
Loulou Tielman †( drums, vocals)
Jane Tielman

Together with  Hans Bax and Robby Latupeirisa coming from the broken up  legendary Indo-Rock group THE JAVALINS started touring again in Germany again under the name THE TIELMAN BROTHERS, despite the fact that Andy himself had problems with this name. He would have preferred to continue as THE TIELMAN BAND. In this formation they recorded end of 1964 a live LP as well as a number of singes of which Hello Caterina was one of the better own compositions. This  LP contained mainly covers because the repertoire  had to be adapted more and more to due the pending trend of that period.

In 1965 they were invited to perform in the best known dancing of the Netherlands the posh Palais de Danse in Scheveningen( the seaside village of The Hague). Although they hadn’t played in Holland for years their fans came from all over the country and had to cue for the entrance well in advance, watching the sharp dressed band members arriving in their big limousines. They appeared with big success during July and August and their opening acts were the well known ZZ EN DE MASKERS and ANDY STARR & THE STRIPES. Jos Van Vliet, earlier president for THE CRAZY ROCKERS fan club and now Press Manager with Negram/Delta records invited them to the studio and the result was the beautiful album ‘East & West’, on which Andy excelled in 5 wonderful ballads like Unchained Melody, Maria and Danny Boy. Jane sang lead in Bring It On Home To Me. Reggy was the lead singer in a number of traditional Indonesian songs like Ole Sio and Kekasih Ku. The number Maria( West Side Story) was released as a single and reached with number 20 in the Dutch Top Forty its highest position in 1965. The self penned impressive instrumental Marabunta was also released in the U.S.A. on the Scepter label.

Andy was as far as we know  the only famous lead guitarist who used the meanwhile very rare Vox Guitar Organ on stage in 1966. This instrument could reproduce organ- and guitar sounds. With its multiple controls and knobs it was not easy to play. More over this organ guitar could only be played with an electronic plectrum which was connected with the PC boards of the guitar. This organ guitar soon disappeared from the market, but once again Andy Tielman proofed to be a true innovator in guitar sound.

Until 1967 they recorded  for the German Ariola label, but the typical Tielman style was most of the times far gone. In 1967 they had totally unexpected their biggest hit in their career. Little Bird was recorded in 1967 in the Netherlands and reached the number 7 in the Dutch Top Fourty. The record was released in the U.S.A. on the Ranwood label.

There after followed a period of constantly changing formations and they appeared as ANDY TIELMAN & THE TIELMAN BROTHERS. The typical Tielman sound even further disappeared and only in 1979 Andy would show something of his old glory. Especially the instrumental Sarinandé made quite an impact  and it was very remarkable tot see at last a LP with 4 instrumental numbers, after all these were the real roots of the Tielman Brothers.

ANDY TIELMAN and his INDONESIANS (1969-1971)

Andy Tielman (leadguitar, vocals)
Reggy Tielman (2^nd lead guitar, 6-string bass, vocals)
Rob Latupeirisa (bass guitar, 6-string bass)
Loulou Tielman † (drums, vocals)
Benny Heynen † (tenor saxophone, rhythm guitar)
Leo Masengi † (tenor saxophone, rhythm guitar) ex- The High Five

ANDY TIELMAN & THE TIELMAN BROTHERS

Eddy Chatelin (guitar, vocals)
Reggy Tielman (2^nd lead guitar, rhythm guitar)
Hans Bax (rhytm guitar)
Maurice de la Croix (rhythm guitar))
Leo Masengi † (tenor saxophone, rhytm guitar)
Rob Latupeirisa (bass guitar)
Benny Heynen † (tenor saxophone, trompet, guitar)
Loulou Tielman † (drums, vocals)
+ ?

Story and Copyright: Piet Muys 07/2003
Editing and translation: Cees Bakker 03/2005

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DISCOGRAPHY:
blue = instrumentalVinyl:
1958 FERNAP FP 5001 Rock Little Baby Of Mine / You’re Still The One (Belgium)
1959 IMPERIAL HI 1026 Record Hop / Swing It Up
1960 IMPERIAL HI 1032 My Maria / You’re Still The One
1960 IMPERIAL HI 1033 Black Eyes / Rock Little Baby
1960 IMPERIAL HI 1049 18th Century Rock / Pretend
1960 CAPITOL 4569 18th Century Rock / Pretend (USA)
1960 IMPERIAL HI 1060 I Can’t Forget You / AAA
1961 IMPERIAL HI 1203 April In Paris / 0 Rosalie
1962 ARIOLA AT 45.366 Tahiti Jungle / Fern Am Amazonas (W-Germany)
1962 ARIOLA AT 10.032 Java Guitars / Warum Weinst Du Kleine Tamara? (W-Germany)
1962 KARUSELL KFF 497 Warum Weinst Du Kleine Tamara /Fern Am Amazonas (Sweden) blue vinyl)
1963 ARIOLA AT 10.484 Little Hänschen Twist / Twistin’ The Carioca (W-Germany)
1965 ARIOLA AT 18.054 Little Girl / Yes I’m In Love (W-Germany)
1965 ARIOLA AT 18.056 Love So True / Don’t Go Away (W-Germany)
1965 ARIOLA ANG 10004 Maria / Marabunta
1965 SCEPTER SCE 12121 Maria / Marabunta (USA)
1965 ARIOLA ANG 10006 Exodus / Real Love
1965 ARIOLA ANG 10007  White Christmas / I Wonder
1965 ARIOLA AT 18.276 Hello Caterina / Say You’re Mine (W-Germany)
1965 INTERNATIONAL IS 20068  Hello Caterina / Say You’re Mine (Italy)
1965 ARIOLA AT 18.278 No One But You / You Are The One (W-Germany)
1965 INTERNATIONAL IS 20067 No One But You / You Are The One (Italy)
1965 ARIOLA AT 18.302  Little Lovely Lady / Warte Ab Darling Rosmarie (W-Germany) ANDY TIELMAN
1965 ARIOLA AT 18.614 Maria / I Wonder (W-Germany)
1965 ARIOLA AT 18.654 Exodus / White Christmas (W-Germany)
1966 ARIOLA AT 18.768 Michelle / Du Gehst Vorüber (W-Germany)
1966 ARIOLA AT 18.898 Wanderer Ohne Ziel / Viel Zu Spät (W-Germany)
1967 ARIOLA ANG 10010 You Got To Much Going For Love / Can’t Help Falling In Love ANDY TIELMAN
1967 DELTA DS 1263 Little Bird / She’s Gone For Good
1968 VOGUE DV 14696 Little Bird / She’s Gone For Good (W-Germany)
1968 RANWOOD R-807 Little Bird / She’s Gone For Good (USA)
1968 DELTA DS 1271 I Can’t Help Falling In Love / Goodbye Mama
1968 INJECTION TAR 61012 Absence / Little Dog
1968 INJECTION TAR 61013 Nina Don’t Go / Maria My Love
1968 FONTANA YF 278.838 Nanana Hey Hey Kiss Him Goodbye / It’s Magic In You Girl (W-Germany)
1970 GOLDEN 12 G12/93  Manolita / Unter’m Bambus Von Trinidad (W-Duitsland) ANDY TIELMAN
1971 INJECTION  134.540 Say A Simple Word / Summer Without You ANDY TIELMAN
1972 NEGRAM NG 309 Poor People / Forever And Evermore (with Jane Tielman)
1972 INJECTION 134.548 With Your Help / Tell Me Your Name ANDY TIELMAN
1973 MELODI RECORDS 73028 Poor People / Forever And Evermore (Turkey)
1973 NEGRAM NG 329 Hey Hey / I’m A Stranger In My Land
1975 NEGRAM NG 2013 Hey Hey / I’m A Stranger In My Land (re-release)
1975 NEGRAM 5C 006253 07 Goodbye Mama / Country Girl
1976 PHILIPS 6012.641 Rip It Up / Move It
1980 KILLROY KR 2894 Jesus (part one) / Jesus (part two)
1980 KILLROY KR 119504 Jesus / Jesus Part 2 (12-inch disco version)
1981 EMI 5 006-26704 Little Bird / Poor People (re-release)
1981 KILLROY KR 3132 KF Gypsy Mama / The Shepherd’s Song ANDY TIELMAN
1981 KILLROY KR 3392 KF Cheryl Moana Marie / Blue Bayou ANDY TIELMAN1960 EP IMPERIAL IPE 5037 ROCKIN’  WITH THE FOUR TIELMAN BROTHERS
My Maria / You’re Still The One / Black Eyes / Rock Little Baby1963 EP ARIOLA CT 40552 THE TIELMAN BROTHERS (W-Germany)
Java Guitars / Tahiti Jungle / Little Hänschen Twist / Twistin’ The Carioca1983 EP D.L.R. GY 290345  WELCOME TO OUR WORLD – ANDY AND THE ENTERTAINERS
Welcome To My World / Hawaiian Wedding Song / Gu Buhan Ku / Tammy

1961 25cm/10″ LP IMPERIAL ILPT 103 TIELMAN ON STAGE
O Sole Mio / 18th. Century Rock / A.A.A. / Pretend / O Rosalie / April In Paris / I Can’t Forget You / Night Train

1964 LP IMPERIAL ILW 1015 THE TIELMAN BROTHERS
18th. Century Rock / O Sole Mio / A.A.A. / Pretend / O Rosalie / My Maria / April In Paris / Rock Little Baby / Black Eyes / You’re Still The One / Record Hop / I Can’t Forget You

1964 LP ARIOLA 72.128 IT (M) / 72129 IT (S) THE TIELMAN BROTHERS – LIVE RECORDING (W-Germany)
Long Tall Sally / Don’t Go Away / Pretty Woman / Sweet Little Sixteen / Da-Do-Ron-Ron / High Heel Sneekers (Put On Your Eyes) / Love So True / Yes, I’m In Love / Little Girl / Close Your Eyes / Dance With The Guitar Man / What’d I Say

1965 LP ARIOLA IHLP 1 S  EAST AND WEST
Patah Tjingke / Kekashi Ku / Ketjil Ketjil / Ole Sio / Dewi Ku / Mukwai Hula / Unchained Melody / Maria / Bring It On Home To Me / Moon River / In My Room / Danny Boy

1968 LP DELTA DELP 022 LITTLE BIRD
Saturday’s Child / Don’t You Believe It / Let’s Pretend / Situation / He / Little Bird / Living Above Your Head / Goodbye Mama / I Only Have Eyes / My World Is Empty / She’s Gone For Good / Hound Dog

1968 LP IMPERIAL SILW 1031 ONE MORE TIME
Heruitgave van de LP IMPERIAL ILW 1015 uit 1964 in stereo.

1969 LP GOLDEN 12 G12/11900 NON STOP PARTY – ANDY TIELMAN AND HIS INDONESIANS (W-Germany)
Happy Heart / Green Green Grass / Blue Suede Shoes / Warm And Tender Love / Quando Solei Di Cuba / Carpet Man / Falling In Love / Mississippi Rise / My Maria / Na Na Hey Hey Kiss Him Goodbye

1970 LP NEGRAM ELS 895 LITTLE BIRD
Heruitgave van LP DELTA DELP 022 LITTLE BIRD uit 1968

1975 LP NEGRAM NAF 303 THE UNFORGETTABLE TIELMAN BROTHERS
I’m A Stranger In My Land / Hey Hey / Saturday’s Child / Don’t You Believe It / Let’s Pretend / He / Little Bird / Forever and Evermore / Poor People / Living Above Your Head / Goodbye Mama / I Only Have Eyes / My World Is Empty / She’s Gone For Good
( 10 tracks from Delta LP Little Bird of 1968 + 2 Negram singles from 1972/1973)

1975 LP SPRONK – DE KALONGS GOING BACK TO 1958 WITH, THE FIRST AND ALWAYS THE TIELMAN BROTHERS
Special release from Musicshop Spronk of LP IMPERIAL ILW 1015 of 1964 – 30 Years Anniversary of The Tielman Brorhers.

1976 LP PHILIPS 6410.125 ROCK AND ROLL OUR FIRST LOVE
Land Of 1000 Dances / Be-Bop-A-Lula / Mean Woman Blues / Sweet Little Sixteen / Donna / New Orleans / Wooly Bully / Rip It Up / Move It / Whole Lotta Shakin’ Goin’ On / Lucille / Summertime Blues / Ya Ya / Hucklebuck

1976 LP FONTANA 6428.113 ROCK AND ROLL OUR FIRST LOVE (W-Germany)
German release from LP PHILIPS 6410.125 ROCK AND ROLL OUR FIRST LOVE (1976)

1978 LP IMPERIAL 5 NO 26-26100 THE UNFORGETTABLE TIELMAN BROTHERS
Re-release from LP NEGRAM NAF 303 uit 1975

1979 LP IMPERIAL 5C-006-26101 ONE MORE TIME
Re-release from LP IMPERIAL SILW 1031 ONE MORE TIME uit 1968.

1979 LP BOVEMA-NEGRAM 5NO 28-26168 GOLDEN GREATS OF THE TIELMAN BROTHERS
Re-release from LP ARIOLA IHLP 1S  EAST AND WEST uit 1965.

1979 LP KILLROY KFA 13066 KL BACK TO THE FIFTIES
My Maria / Mona Lisa / Andy’s Boogie / Only You / Tennessee Waltz / Harry Lime Theme (The Third Man) / It’s Only Make Believe / Blue Bayou / Don’t Let The Stars Get In Your Eyes / The Carioca / I’ll Be Home / At The Hop / Sarinandé / I’m Yours

1980 LP KILLROY KIL 21012 I’LL BE HOME FOR CHRISTMAS – ANDY TIELMAN
Away In A Manger / Blue Christmas / I’ll Be Home For Christmas / Jingle Bells / Gypsy Mama / If Every Day Was Like Christmas / Mary’s Boychild / Little Drummer Boy / Silent Night / Go Tell It On The Mountains / White Christmas / The Shepherd’s Song

1980 LP PHILIPS 6440.817 ROCK AND ROLL OUR FIRST LOVE
Re-release from LP PHILIPS 6410.125 ROCK AND ROLL OUR FIRST LOVE uit 1976 in the ‘Succes’ serie

1987 LP BINTANG BPL-1 TIELMAN ON STAGE (bootleg)
Night Train / Sweet Little Sixteen / Amapola / The Night Before / Dance With The Guitar Man / Twist In The Mood / Royal Hawaiian Hula / Intermission / Hello Caterina / Perdido / Carioca / My Maria / A.A.A. / Pretty Woman / Marabunta / Closing Theme

1987 LP BINTANG BPL-2 RECORDED LIVE AT THE ‘PALAIS DE DANSE’, 1965 (bootleg)
Theme: What’d I Say / High Heel Sneakers / Help / In My Room / Real Love / You’ve Got Your Troubles / I Wonder / Don’t Go Away / Mr. Tambourine Man / Tossin’ and Turnin’ / Hula Girl / Go To Hawaii / Danger / Rag Doll

CD’s
1988 CD EMI CDM 7909032 TIELMAN BROTHERS
I’m A Stranger In My Land / Hey Hey (Rock & Roll Is In) / Saturday’s Child / Don’t You Believe It / Let’s Pretend / He / Little Bird / My Maria / 18th. Century Rock / Rock Little Baby / Black Eyes / You’re Still The One / Forever And Evermore / Poor People / Living Above Your Head / Goodbye Mama / I Only Have Eyes / My World Is Empty / She’s Gone For Good / Hound Dog

1991 CD (single) INDO ROCK I.R. 259442 TV SPECIAL 1960
Black Eyes / Rollin’ Rock

1991 CD EMI CDM 7968472 ROCK AND BALLADS
A.A.A. / O Sole Mio / Pretend / Unchained Melody / O Rosalie / Maria / Record Hop / Bring It On Home To Me / Swing It Up / Moon River / Country Girl / In My Room / Danny Boy / April In Paris

1992 CD SAM SAM CDHL 1008 LIVE IN GERMANY
Hello Caterina / Java Guitars * / A.A.A. / Sweet Little Sixteen ^/ Mukwai Hula * / Twist In The Mood / Black Eyes / (Dance With The) Guitar Man ^ / Royal Hawaiian Hula / Tahiti Guitars ( =Tahiti Jungle) * / To Soon To Know / Peppermint Twist / Donauwellen / Hawaiian War Chant / Introduction Tielman Brothers / Terang Boelan / Crying
* = plaat + toegevoegde nagalm ! / ^= track van LP ARIOLA 72.128 LIVE RECORDING uit 1964

1996 CD DISKY GG 862672 GOOD FOR GOLD
Maria / Black Eyes / 18th. Century Rock / I Can’t Forget You / April In Paris / Unchained Melody / Poor People / In My Room / Little Bird / You’re Still The One / Rock Little Baby / O Rosalie / Record Hop / Pretend / A.A.A. / Moon River

1996 CD BEAR FAMILY BCD 15918 THE TIELMAN BROTHERS – DIE SINGLES 1962-1967 (Germany)
Tahiti Jungle / Fern am Amazonas / Java Guitars / Warum weinst du, kleine Tamara? / Little Häns’chen Twist / Twistin’ The Carioca / Hello Caterina / Say You Are Mine / No One But You / You Are The One / Little Lovely Lady / Warte ab Darling Rosmarie / Maria / I Wonder / White Christmas / Exodus / Marabunta / Real Love / Michelle / Du gehst vorüber / Wanderer ohne Ziel / Viel zu spät / You’ve Got Too Much Going / Can’t Help Falling In Love

1997 CD BEAR FAMILY BCD 15919 THE TIELMAN BROTHERS 1964/1965 (Germany)
Long Tall Sally / Don’t Go Away / Pretty Woman / Sweet Little Sixteen / Da Doo Ron Ron / Put On Your Eyes (High Heel Seekers) /  Love So True / Yes, I’m In Love / Little Girl / Close Your Eyes / Dance With The Guitar Man / What’d I Say / Unchained Melody / Maria / Bring It On Home To Me / Moon River / In My Room / Danny Boy / Patah Tjingke / Kekasih Ku / Ketjil ketjil / Ole Sio / Dewi Ku / Mukwai Hula

2002 CD CNR 22 207182 HOLLANDS GLORIE
CD release from LP KILLROY KFA 13066 KL BACK TO THE FIFTIES uit 1979 + Jesus (part one) / Jesus (part two) from 1980

 

 Menggila Maya

 

 

                     GBB / DENY / YUDY : 021 319 34740

Menggila Maya

PERSEMBAHAN WORLD MUSIC

“ THE PANTHOM OF THE TRADITIONAL OPERA”

3 JULI 2008, PKL 20.00 WIB sd Selesai

GRAHA BAKTI BUDAYA, TAMAN ISMAIL MARZUKI ( TIM )

SEBUAH PAGELARAN MUSIK ANAK BANGSA YANG MENGKOLABORASIKAN INSTRUMEN TRADISIONAL

INDONESIA DAN MANCANEGARA,SEPERTI : ( Talempong, Sitar India,Erhu, Kecapi, Saluang , Ghu zheng , Bonang , Didgeridu , Seronen , Kong Ah Yan , Rebab , Juga alat alat Musik modern dan lain sebagainya )

MAHAGENTA MEMBERI WACANA BARU BAGI PENDENGAR DAN PENIKMAT SENI KHUSUSNYA MUSIK BAHWA ALAT MUSIK TRADISIONAL INDONESIA MAMPU MEMAINKAN KARYA YANG MEGAH DAN FENOMENAL ITU ( PANTHOM OF THE OPERA ) , SEPERTI APA JADINYA KOLABORASI ITU???. KAMI TUNGGU KEHADIRAN ANDA…….

SALAM BUDAYA…SALAM NUSANTARA

TIKET        :    INDRI      :  021 681 31 559 / 0817 640 1975

                     GBB / DENY / YUDY : 021 319 34740

Menggila Maya

link

 www.aneomen.wordpress.com

Terjadi lagi tragedi di sekolah tempat mencari ilmu dan hidup.STIP ( Sekolah Tinggi Ilmu Pelayaran ) adalah salah satu sekolah yang favorit di pilih,kenapa?karena sekolah ini secara khusus memberikan dan mencetak pemuda dan pemudi yang cakap dan baik dari segi ilmu,mental,moral dan rasa kebangsaan.Pada akhirnya para pemuda dan pemudi lulusan STIP ini akan menjaga tanah air Indonesia yang kita cintai ini.Namun apa yang kita lihat dan dapatkan dari cerita dan berita yang ada di media saat ini? STIP menjadi tempat ajang pembantaian bagi para siswa yang baru.Dahulu kejadian yang sama terjadi di STPDN,saat ini terulang kembali dan amat sangat di sayangkan kenapa terjadinya di sekolah yang khusus untuk mencetak generasi anak bangsa untuk menjaga negeri ini?Apa jadinya bila ini menjadi tradisi di sekolah sekolah dan menjadi trendy?

Hancur sudah moral generasi anak bangsa.akan menjadi apakah Indonesia ini bila akan seperti ini terus dan berkelanjutan?Apa yang salah dari semua ini?sistem pendidikan?pergaulan di sekolah?Apa yang salah?

Selama ini yang ada di berita tak ada titik terang penyebab dan cara untuk penyelesaian masalah ini,begitupun kasus STPDN terdahulu.Saya melihat dan mengikuti perkembangan tragedi ini di media masa.Yang terjadi hanya saling tuding,saling salah menyalahi,saling tak tahu kejadian yang berlangsung di dalam sekolah.

Apakah yang terjadi dunia pendidikan di negeri kita ini?sangat sakit,sedih dan takut hati dan rasa para orang tua yang dengan susah payah memberikan dan mencari uang untuk anak anak mereka.

Sekolah tempat cari apa?

Menggila Maya

Kembali Islam di guncang dengan berbagai macam masalah.Pada hari minggu pagi FPI ( Front Pembela Islam ) membantai salah satu kelompok yang juga menganut satu ajaran yang menjunjung hak kebebasan beragama.Entah apa yang menyebabkan FPI menyerang mereka?kalau kita lihat versi berita berita di televisi,FPI menyerang karena adanya jemaah Islamiah yang berkumpul di lapangan Monas menuntut hak kebebasan beragama.Kalau kita lihat jemaah yang ajarannya Islamis namun mereka memploklamirkan bahwa mereka mempunyai nabi sendiri sesudah nabi terakhir MUHAMAD S.A.W.

Yang membuat marah umat Islam itu adalah persoalan nabi itu.Jika Ahmadiah tidak menyatakan mempunyai nabi sendiri mungkin tidak ada masalah yang timbul?Siapa pun umat Islam akan marah kalau ada yang mengaku mempunyai atau menyatakan diri sebagai nabi.Namun kalau kita telaah lagi dari pengkabaran di kitab Al qur’an,memang ALLAH sudah mengkabarkan bahwa akan timbul masalah seperti ini nanti.

Namun  di benak saya ada masalah yang timbul dan merasa menyesal sebagai umat Islam.Kita lihat kejadian di monas?apa Islam mengajarkan untuk berbuat seperti kejadian di monas itu?apa semua teman teman bloger berfikir seperti saya?Islam itu indah,apa indah yang seperti itu yang di ajarkan para Kyai,ustad,habib atau para ulama?Aneh????????

Apa semua berfikir ada apa di balik atau di belakang kejadian ini?Saya juga berfikir,kenapa di zaman sekarang seperti ini ada segala Panglima di salah satu Ormas Islam?Apa sekarang masih zaman jahiliyah atau jaman perang?Aneh????????

Di saat ini agama sudah di satu kan dengan partai politik atau apa pun.apa semua berfikir soal itu?di adu domba untuk kepentingan kekuasaan?ternyata semua terlena,tinggal lah yang membuat scenario yang tertawa.

Berkacalah kembali ke dalam diri,sejauh mana anda mengenal diri dan Tuhan?

Menggila Maya!!!

Mahasiswa mulai kembali dengan demo demonya.berita panas tentang naiknya BBM membuat mereka bergerak untuk berdemo memperjuangkan harga yang naik.Tapi BBM naik juga akhirnya.Namun dari demo kawan kawan mahasiswa,ada yang mengotori perjuangan para mahasiswa ini.Kita lihat berita di televisi tentang mahasiswa yang berdemo,tapi kenyataannya para mahasiswa sendiri yang pada akhirnya bentrok fisik.Apakah mereka benar mahasiswa?atau provokator yang membuat mereka manjadi bentrok?

Kita lihat berita tantang mahasiswa yang memukuli polisi yang sedang berjalan mengendarai motornya sendiri.Apakah seperti itu tindakan seorang mahasiswa?Benarkah seperti yang di beritakan kalau bukan dari kalangan mahasiswa yang bersangkutan yang melakukan penganiayaan tersebut?Saya pribadi memohon untuk di usut hingga tuntas masalah ini,sehingga kebenaran akan terbukti,apakah benar bukan dari mahasiswa itu,atau dari mahasiswa itu sendiri yang terprovokasi dan tidak bisa menahan emosinya?

Saya hanya bisa memohon,menyerukan,mensuport dan berkata kata,agar para kawan kawan mahasiswa lebih merapatkan barisan agar hal hal yang tidak di iginkan dan merusak kawan kawan mahasiswa sendiri.

Tetap fokus pada hal yang kita perjuangkan,hati hati provokasi yang mamanfaatkan segala keadaan dengan segal macam cara daya dan upaya.

KAWAN KAWAN MAHASISWA ! KALIAN ADALAH BUSUR KAMI !

Tetaplah berjuang untuk bumi Indonesia yang kita cintai ini sampai titik darah penghabisan!!!!!!!!

MERDEKA BELUM TERBIT !

Menggila Maya

Apa mau di kata?ternyata BBM naik juga.Apa menurut anda?saya kehabisan kata kata.

Entah apa yang akan terjadi esok hari….?

Menggila Maya